In 1968, a major East African poet and anthropologist of religion was expelled from Uganda, his home country. Cast adrift in a period of unrest and totalitarian violence, Okot p’Bitek made his way to a gallery most of us have never heard of: Paa ya Paa. A major nexus of literary and artistic production in postcolonial Africa, Paa ya Paa, located in Nairobi, Kenya, provided a space for performance and free innovation in a milieu increasingly defined by assassinations, government surveillance, and exile. This podcast recovers the modes of creative response to colonial religion and postcolonial authoritarianism that the gallery fomented by weaving together the twists and turns of a nation and a poet.
Additional Reading
Bukenya, Austin. “Paa ya Paa gallery: A plea for saving the flying antelope.” Daily Nation. December 15, 2018. https://www.nation.co.ke/lifestyle/weekend/A-plea-for-saving-the-flying-antelope/1220-4896514-euc04bz/index.html.
Allen, Tim. “The Rage of Okot p’Bitek: colonial perspectives and a failed doctorate.” Firoz Lalji Centre for Africa. July 12, 2019. https://blogs.lse.ac.uk/africaatlse/2019/07/12/rage-okot-pbitek-colonial-perspectives/.
Gikandi, Simon. “Introduction: East African Literature in English from 1945 to the Present.” The Columbia Guide to East African Literature in English Since 1945. Edited by Simon Gikandi and Evan Mwangi. 1-22. https://books.google.com/books?id=QaurAgAAQBAJ&printsec=frontcover#v=onepage&q&f=false.
Sicherman, Carol. “Revolutionizing the Literature Curriculum at the University of East Africa: Literature and the Soul of the Nation.” Research in African Literatures 29, no. 3 (1998): n. 8. http://www.jstor.org/stable/3820624.
Additional Credits
With special thanks to Elimo Njau, Henry Indangasa, Peter Oruka, Juliane Okot Bitek, Agnes Oyela, Gertrude Rubadiri, Kwame Rubadiri, Sekou Rubadiri, Grace Kiragu, Tim Allen, Ruth Finnegan, and Jahan Ramazani.
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